Equivalents

To celebrate the Year of the Avant-garde 2017, Archeology of Photography Foundation is exhibiting a selection of Zbigniew Dłubak’s iconic photographs from 1947-1950 for the very first time. In the exhibition Dłubak’s works are juxtaposed with the contemporary series by Basia Sokołowska titled Equivalents 2017. The exhibition is part of Living Archives, a current series of events organised by the APF, opening up the oeuvre of acclaimed artists to contemporary interpretations.

LUX – book launch

Light in photography is a vast theme, described in countless publications and articles. Any given photograph or image may be analysed from the perspective of light. Thanks to light, we are able to see, take pictures, but also look at them. The history of photography, closely tied to scientific and technological progress, is specifically permeated with technological struggles related to registration of light. It is a history of attempts to ‘tame’ it, to record an image in the shortest time possible, or to create artificial conditions that will enable photographing despite its lack.

Antonina Gugała / Warsaw Photographer

Warsaw Photographer is a documentary project which presents various aspects of activity of Warsaw photography studios. Antonina Gugała examines the traces of presence of high street photographers within the capital city’s space. The material she collected serves as a departure point for recognition of social functions held by these photographers and for analysis of the language used by them in communication with their environment.

Exhibition „LUX” on Warsaw Gallery Weekend

The exhibition Lux is a continuation of the Archeology of Photography Foundation’s series of projects based on collaborations with contemporary artists which aim to inspire theoretical reflections on important issues for the history of photography and research practices. The formal background and past ventures of the artists invited to this project are radically different. This heterogeneity opened an opportunity for a multi-layered examination of a theme which is broad and inspiring in various respects – from metaphysical to technological, but which is also dangerously easy to trivialise.

Zofia Chomętowska: Photographer’s Albums

The Archive of Zofia Chomętowska’s works is now divided between two collections, the Museum of Warsaw (the photographs of the capital from the interwar period, during the war and post-war materials) and the Archaeology of Photography Foundation (photographs from her native Polesie and her émigré life in Argentina).

In a new publication, prepared jointly by both institutions, the artist’s entire archive has been made available in order to present the unique biography of Chomętowska – a photographer, a courageous, independent and modern woman. The publication presents 597 photos collected in four albums: The Enthusiast (1912–1935), The Professional (1936–1944), Documentalist (1945) and Émigré (1946–1981).

WGW: Mariusz Hermanowicz / Anna Molska

During this year's edition of the Warsaw Gallery Weekend, Archaeology of Photography Foundation offers the first presentation of Mariusz Hermanowicz's archive, whose research commenced at the beginning of 2015. This premiere presentation will include an individual exhibition of the artist's works and a video piece by Anna Molska. The starting point of the exhibition is a rigorous observation of the clash of nature and culture, investigated by the photographer from a variety of perspectives. Anna Molska's video makes a direct reference to Hermanowicz's oeuvre.

Emulsion, Exhibition opening: 28 May 2015

Reviewing the analogue roots of photography is extremely important in the context of contemporary photographic practices. The exhibition Emulsion emerges from the need of revisiting the issues concerned with the materiality of photography and the related formal explorations. The project comprises works by three acclaimed artists who work in photography, but also engage with other media: Dorota Buczkowska, Nicolas Grospierre, and Robert Kuśmirowski. They will show brand new works, prepared especially for the Foundation's gallery space, which reference the origins of photography and deal with such notions as photosensitivity and conservation of photographic material. Coinciding with the opening night of the exhibition will be launch of the book under the same title. The book will feature archival photographs next to works by artists reflecting on the photographic matter as well as exploiting the potential latent in damaged photographs.

The Estate

The Estate. Sculptures from the collection of the von Rose family with films and photographs from the archives of Zofia Chomętowska, 18 March – 17 May 2015, Opening: 15 March 2015 at 6.00 p.m., The Museum of Sculpture in Królikarnia.
In the 20th c., Central and Eastern Europe was so much a terrifying as it was a fascinating melting pot of history, with all its wars, revolutions, property expropriated and privatized, people resettled or having to flee. The constant transformations and market changes shaped and reshaped its social, cultural and economic spheres. A certain social structure was coming to an end, and with it a specific culture. The process was parallel to the actual material destruction of works of art. Cooperation: The Archeology of Photography Foundation.

ALBOM.PL

We invite you to the opening of the exhibition Albom.pl, which takes place on the January 8 (Thursday) at 7pm. The photographs, over fifty of which are presented at the show, have been collected during a 2014 research tour across seven towns: Kleszczele and Gródek in Poland, and Sapotskin, Lunna, Voupa, Vawkavysk, and Kamenets-Litovsk in Belarus. Photographers and historians from both countries took part in it.

Filip Tofil, COLLAGE. DEHUMAN

 We invite you to the opening of the exhibition COLLAGE. DEHUMAN with works by Filip Tofil, which will take place on October 30 (Thursday), 7pm.
Everything has already been done. Deconstruction, fragmentation, multiplication, humiliation, or even abuse, of body. The tradition of collage reaches back to the experiments carried out by the Dadaists, Surrealists, and Pop artists. In spite of that, both the theme and the form continually help to broaden the artistic horizons – not only due to the technical and iconographic possibilities (the latter of which manifest themselves in the endlessness and accessibility of the iconographic collections, such as photo archives and library collections), but most of all thanks to the ubiquity of body in visual culture. The exhibition is open until November 7.