Adam Pańczuk, Rays

In his latest project, Adam Pańczuk investigates human subconsciousness and its representability through the photographic image by working with a model and building a non-existing world – one created with the use of props, actors, and scenery. Pańczuk depicts something that does not exist in the visible world, with the sequence of images he produces bringing to mind an oneiric logic and evoking dreams in which we experience flashes of understanding, unwavering confidence, and harmony. However, the brightness is soon replaced by daylight, just after we wake up.

Andrzej Georgiew: Layers, exhibition in Krakow

Andrzej Georgiew was a photographer who never made projects or series, and yet who left behind a remarkably coherent oeuvre. Man is central to his interest; above all, the human face. He used to say: I keep getting the feeling that I’m always taking the same photograph. Georgiew returned to the same figures many times, stripping away more and more layers. In this way, he was trying to extract this “presentness” from time and to capture it. The fruit of these encounters is a series of apparently similar photographs.

Anna Zagrodzka, Collection

Anna Zagrodzka’s project Collection refers to the system of teaching art history based on using visual material on slides. This method, commonly used before the arrival of digital reproduction, is still applied in many lectures.

Jan Jastrzębski, Report

This exhibition marks the first presentation of works by this author at the Archeology of Photography Foundation gallery, and is also an inauguration of the Foundation’s works on the photographer’s archive. Jan Jastrzębski (1925-2001) worked as a reporter for Kraj and Miesięcznik Polski (The Polish Review / La Revue Polonaise). He photographed Polish province and industry, and was also involved in creating documentations of works of art and landscape photography.

Equivalents

To celebrate the Year of the Avant-garde 2017, Archeology of Photography Foundation is exhibiting a selection of Zbigniew Dłubak’s iconic photographs from 1947-1950 for the very first time. In the exhibition Dłubak’s works are juxtaposed with the contemporary series by Basia Sokołowska titled Equivalents 2017. The exhibition is part of Living Archives, a current series of events organised by the APF, opening up the oeuvre of acclaimed artists to contemporary interpretations.

LUX – book launch

Light in photography is a vast theme, described in countless publications and articles. Any given photograph or image may be analysed from the perspective of light. Thanks to light, we are able to see, take pictures, but also look at them. The history of photography, closely tied to scientific and technological progress, is specifically permeated with technological struggles related to registration of light. It is a history of attempts to ‘tame’ it, to record an image in the shortest time possible, or to create artificial conditions that will enable photographing despite its lack.

That Which Doesn’t Die, Does Not Live - new exhibition

An “ordinary” death is less and less present in culture. People don’t die in the presence of their families, but in hospitals; a coffin with a dead body is not held at home for three days, but instead the relatives visit the deceased in a chapel. According to the cultural anthropologist Joanna Tokarska-Bakir, “contemporary culture, with its cult of youth, if not immortality, is scared stiff of death […] The world, which doesn’t believe in any truths anymore, which perceives everything as a mask and appearance, defends against this most inevitable of truths in any way it can.”

Antonina Gugała / Warsaw Photographer

Warsaw Photographer is a documentary project which presents various aspects of activity of Warsaw photography studios. Antonina Gugała examines the traces of presence of high street photographers within the capital city’s space. The material she collected serves as a departure point for recognition of social functions held by these photographers and for analysis of the language used by them in communication with their environment.

Exhibition „LUX” on Warsaw Gallery Weekend

The exhibition Lux is a continuation of the Archeology of Photography Foundation’s series of projects based on collaborations with contemporary artists which aim to inspire theoretical reflections on important issues for the history of photography and research practices. The formal background and past ventures of the artists invited to this project are radically different. This heterogeneity opened an opportunity for a multi-layered examination of a theme which is broad and inspiring in various respects – from metaphysical to technological, but which is also dangerously easy to trivialise.

Zofia Chomętowska: Photographer’s Albums

The Archive of Zofia Chomętowska’s works is now divided between two collections, the Museum of Warsaw (the photographs of the capital from the interwar period, during the war and post-war materials) and the Archaeology of Photography Foundation (photographs from her native Polesie and her émigré life in Argentina).

In a new publication, prepared jointly by both institutions, the artist’s entire archive has been made available in order to present the unique biography of Chomętowska – a photographer, a courageous, independent and modern woman. The publication presents 597 photos collected in four albums: The Enthusiast (1912–1935), The Professional (1936–1944), Documentalist (1945) and Émigré (1946–1981).