Dłubak Soundsystem

Dłubak Soundsystem is a unique work: a dialog between Zbigniew Dłubak (1921-2005), one of the classical figures of the Polish neo-avant-garde, and the experimental music of contemporary performers, cellist Mikołaj Pałosz and saxophonist Ray Dickaty. This exceptional audiovisual performance, conceptualised by Mikołaj Pałosz, will see its premiere on the final day of the International Festival of Contemporary Music Warsaw Autumn.

Wojciech Zamecznik Now – Exhibition

Wojciech Zamecznik (1923-1967), was an outstanding graphic artists, and one of the founders of the “Polish school of posters”. In his practice Zamecznik consistently employed photographs he had personally taken—transforming them in the course of experiments with different light-sensitive techniques, creating abstract records of light as motifs for further posters and covers, and including documentary photographs, taken during everyday activities as well as on journeys, characterized by an exceptional sensitivity to form.

Between the Frames

The exhibition Between the Frames. Photographs of Zofia Chomętowska from Polesie 1925-1939 marks the first comprehensive presentation of photographs by Zofia Chomętowska (1902-1991) in Poland in over 30 years. The artist, an exceptional and somewhat forgotten figure of Polish culture, was among the best-known and most awarded photographers of the 1930s.

Szymon Rogiński / Zbigniew Dłubak Gesticulations

Two different approaches to the human body, two extreme perspectives, a polarized experience of the body and two completely different contexts come together in the photographs by Szymon Rogiński i Zbigniew Dłubak.
The series Wir In Dresden by Rogiński and Systems – Gesticulations by Dłubak differ in just about everything except the fascination with the naked body and its photographic representation.

Botanical Archive

In the years 1930-1952, Serving as the inspector of the Warsaw University Botanic Garden, Roman Kobendza, Sc.D. systematically photographed groups of plants in successive sections of the Garden. The resulting negatives, each labeled with the name of the species and a date, amassed in several boxes marked with an almost calligraphic writing, represent a contemporary herbarium. The reasons behind Kobendza’s project, however, remain unclear.

You. Me. Things

You is a young female or a young male. Me is a young male or a young female. Things is the world that surrounds them, and of which they dream. Things describe and define them. They make them happy and ensnare them. They let them dream, but also deprive them of their dreams. Things are the third element in the love game between You and Me—a game that takes place in the interiors of modern homes and on the pages of modern magazines…

Faces of “Free Time”

This exhibition at the Archeology of Photography Foundation focuses on selected customary ways of depicting “free time” in the 20th-century private photography. Family albums, negatives and slides—loans brought together by the Foundation—reveal a diverse image of this phenomenon.

Exhibition: Artificiality

One of the characteristic features of contemporary culture is the constant development of a field of phenomena produced as a result of the inertia of artistic media, the blurring of boundaries between them, and their mutual interplay. At the same time, spectators take on the role of artists increasingly easily, entering into a complex network of reactions to stimuli provided by objects of culture. Today we are both witnessing and actively contributing to the acceleration and fragmentation of the system of culture.

Zbigniew Dłubak, Stadium’ 55

With the countdown to Euro 2012 well underway, the Archeology of Photography Foundation and the National Cultural Centre set out to explore the history of the Warsaw stadium. From March 9, a previously unknown photographic series by Zbigniew Dłubak, documenting the final stage of the construction of the 10th-Anniversary Stadium in 1955, will be on view in Warsaw’s Kordegarda gallery.

Zbigniew Dłubak, GEOMETRIES

The exhibition offers a new reading of Zbigniew Dłubak’s (1921-2005) two celebrated series: his experimental works from the late 1940s, and Asymmetry, presented in a dialogue with drawings and studies for paintings that were not published or exhibited before. Geometries also features a number of hitherto unknown photographs from 1948.